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THE BIRDWATCHER - BIOGRAPHY

THE BIRDWATCHER - "The Darkest Hour is Just Before Dawn" TAL-002.

After Elk City - "Status", Talitres' second release is from the USA, still from Brooklyn, "The Darkest hour is Just Before Dawn"is the first instalment in a trilogy reflecting upon the morning, the afternoon and the evening. The album was released in US through Arena rock recording.

Dan Matz moved from the humid state of Florida (Tampa) to the not-much-less-humid state of texas (Austin) in 1995. Shortly thereafter, he and a few friends formed a band called WINSDOR FOR THE DERBY. They went on to release critically acclaimed records on King Coffee's Trance Syndicate and Michael Gira's Young God Records and they were compared to everything from NICK DRAKE to AUTHECHRE to BRIAN ENO. They also toured the U.S and Europe with peers such as BEHEAD and SWANS.
WINDSOR became a long distance project as Matz moved to Brooklyn. Eventually, amid rumours of WINDSOR's break up (no, they have not), he began experimenting with what would become THE BIRDWATCHER. Matz began playing live shows in New York and the Northeast, sometimes with a full band (with members from JETS TO BRAZIL and HOME), sometimes solo, to exercise these experiments.
Although he has worked with fellow Florida ex-pats HOME and the aforementioned Michael Gira. "The Darkest Hour is Just Before Dawn" is Matz first full-lenght foray into solo territory. It was mostly recorded at Matz's Hope Union Studio in his Brooklyn home, which allows for its intimacy. THE BIRDWATCHER is much more NEIL YOUNG than NICK DRAKE. More SYD BARRET than BRIAN ENO. The avant-rock elements of WINDSOR FOR THE DERBY have given way to barren, amorphous pop. "The Darkest Hour" is the first instalment in a trilogy reflecting upon the morning, the afternoon and the evening.

 

The Birdwatcher - "The Darkest Hour is Just Before Dawn" (TAL-002)
1. cutting rope 02:51:21 - 2. first bright light 05:54:15 - 3. bound to collide 05:54:15 - 4. dawn 10:20:07 - 5. little birdy 01:32:02 - 6. the hunt 04:41:20 - 7. three weeks 03:20:18 - 8. no expectations* 05:43:16
d. Matz with j. Johnson, j. Kimball, j. Wilkins, b. London, and b. Staudt. Recorded at the Hope Union and j. Teel's Funhouse nyc. *written by m. jagger / k. richard
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first bright light / in this list of maladies there's a host of insincerities / this pass is frozen over, callused shut / it's embarassing / unearthly disposition ending as we speak / we have found the sun is diving down so carelessly / a heart is beating like bells ringing like birds singing in the night / a name on your tongue that burns your mouth, a pleasure, a treasure, a void / a voice in your ear repeating, "it's much better now, it's much better now"
bound to collide / the season was made it's settled / cautious in doubt, cautious at least / picked her up from her second trip to the floor / so much space we were bound to collide / bound to collide
dawn / i cannot breath, said with a smile / this stranger she has me sleeping for miles / my hands i can't feel / my feet off the ground / the landscape's not changing / we're lost in this town
little birdy / little birdy, little birdy, what makes you fly so high / little birdy, little birdy, what makes you fly so high / 'cause I have lost my true love and i just want to die / little birdy, little birdy, what makes your wings so blue / little birdy, little birdy what makes your wings so blue / 'cause i've been a grieving, grieving over you (public domain)
the hunt / they love to hunt don't eat the kill just love the blood they need the thrill / they keep away safe from harm they don't get close not even warm / their day is done their day is done / such a shame their day is done
three weeks / three weeks and three more trying / to create a new way of flying / we strangled envy and greed / and we painted their cold, cold face / we thought up different phrases about the moon's phases and the we used them just for their grace / losing sleep and losing touch with famine next door / a tight mouth that cannot finish what it is thinking / if reason is your fear but there's a passion that's no severe / why are you here, why are you here